My art is inspired by the ever changing and evolving forms in nature and the seasons. Animals and the development of plant forms are a constant inspiration for me to create pure forms. Working wood with traditional hand tools and techniques is a very rewarding experience. Each piece of wood is different and carving is an inspiring conversation with a unique piece of living material.

Exhibitions

2026 Exhibiting in Galeries in Devon

2025 Exhibiting in Galleries in Devon

2024 Exhibiting in Galleries in Devon

2022 joined South West Sculptors

Puppets

  • Close-up of two wooden chairs with smooth curved backrests, placed outdoors with a background of blurred green foliage and a red structure.

    Each wood has its own characteristics and we experience this when carving it. The question here was how to show the quality Lime (on the left) and Oak (on the right)

  • Close-up of a gray sculpture shaped like a fish, placed on a white pedestal, viewed from underneath, with a background of black marble surface.

    Movement, wax

  • A large mushroom with a smooth, rounded cap growing next to green plants and yellow flowers in a garden.
  • Black and white photograph of a woman with curly hair, gazing at a classical bust sculpture of a man with curly hair, both facing each other.

    Portrait studies, clay

  • A wooden sculpture on a wooden base against a light background.

    Angel, pure form, in Lime

  • Close-up of a carved wooden sculpture with a wavy textured surface, set against a plain, light-colored wall.

    Mountain range, remembering trekking in Nepal

  • A wooden sculpture carved into the shape of a tooth, mounted on a tree stump in a garden with green plants and flowers in the background.
  • Two crescent moon-shaped stone garden sculptures placed on a brick patio, with two potted plants with green foliage and small purple flowers behind them.
  • Close-up of a piece of wood on a light-colored surface, showing the natural grain and texture of the wood.
  • Several carved wooden sculptures resembling abstract birds are arranged on a log and a flat surface against a plain neutral wall.
  • Four wooden blocks with sunflower carvings on a light-colored surface against a plain wall.
  • A wooden sculpture with a rough bark exterior and polished smooth interior, mounted on a wooden base.
  • Various pieces of carved and unfinished wood furniture, including chairs, bowls, and blocks, displayed on a light-colored table in a room with wooden-paneled walls and windows.

    Devon OPen Studios Exhibition 2021

  • A wooden sculpture made from a large, irregularly shaped piece of wood with a natural edge, mounted on a wooden base, placed on a rounded wooden table against a plain wall.

I am a sculptress working with seasoned and green (unseasoned) wood using traditional hand tools and techniques.

Greenwood work

  • A wooden stool placed on a brick patio in a garden with various plants and flowers, and a wooden fence in the background.

    Saddle Stool

    Ash and Sweet Chestnut form trees grown in Devon

  • Close-up of a tree stump with three wooden legs on a grassy lawn.

    Small Stool

    I split a branch of Ash for the legs and used a slice of Ash for the seat.

  • A ceramic mug with colorful painted designs sits on a small wooden stool in a grassy outdoor setting with green grass and wildflowers.

    Small Stool

    Seat and legs in Devon Ash

  • A wooden table with a curved edge, positioned outdoors against a wooden fence. On the table, there is a small blue vase with a single white daisy flower and a gray stone. The table has a rustic finish, and there are green leaves and some fallen leaves on the brick ground beneath.

    New List Item

    Description goes here

Wood is a living material, full of history, colour, smell and ever changing grain-pattern. Each piece is unique and for me carving is a conversation between the wood and my inspiration. Sometimes I am receiving and responding. At other times I am directing and guiding the process. I use direct carving technique supported by drawings and clay-modelling. The tactile-ness of woodcarving is very important to me and I love touching the wood and the forms. For me the sense of touch has become like another pair of eyes adding to the experience of form, texture and the qualities of materials.

Most of my wood is local, grown in Devon. Some is from my garden, some is found and other pieces are given to me by friends. Occasionally I buy wood from small local sawmills. Cherry, Sweet Chestnut and Lime are my favourite carving woods and fortunately they all grow locally. For carving I use green and seasoned wood depending on my aim and interest.